前身是(🍅)皇軍(👷)軍港的(⛲)吳港(gǎng ),戰後(hòu )成為船(🍩)塢工人(🃏)的生活煉獄。在資本家剝削和枯燥生活(huó )的雙(🌰)重煎熬(áo )(🏴)下,躁(🥩)動的年輕生命(👋),一(🎲)頭(🎏)栽(zāi )進暴力(lì )漩渦(wō ),延擱成長,終日在打鬥、(🎡)賭(dǔ )博、酗酒中(✳)尋找暫(zàn )時(shí )的麻醉。吉田(📞)喜重通(🥞)過工頭(🍮)之眼,對不合(hé )(🚑)理(🐶)的社會(huì )現實作出欲(💞)迎還拒的批判,被(🥁)視為(📯)日本新浪(làng )潮代表(biǎo )作(zuò )之一(🌑)。香(xiāng )山美(🥎)子飾演純真的酒館女待,同情(🌞)工人卻慘被強姦(⛓),正與負的能量,在大(🔔)時代中比(bǐ )(⛳)拼互(hù )滲,可(kě )有超越(yuè )對與錯,是與非的位(wèi )置?片(piàn )末火車站送別一場(chǎng ),在家和社(🐾)會之(zhī )(😊)間,吉田喜重作(zuò )出(👪)了左翼的選(xuǎn )(💅)擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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